Rock-a-bye Baby

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'Rock-a-bye Baby' is a nursery rhyme and lullaby. The melody is a variant of the English satirical ballad Lillibullero. It has a Roud Folk Song Index number of 2768.

Video Rock-a-bye Baby

Lyrics

The first printed version from Mother Goose's Melody (London, c. 1765), has the following lyrics:

Rock-a-bye baby

On the tree tops,

When the wind blows,

The cradle will rock

When the bough breaks,

The cradle will fall,

and down will come Baby,

Cradle and all.

The version from Songs for the Nursery (London, 1805), contains the wording:

Rock-a-bye baby, thy cradle is green,

Father's a nobleman, mother's a queen...

Alternate Lyrics as shown in The Real Mother Goose published in 1916:

Rock-a-bye baby, thy cradle is green;

Father's a nobleman, mother's a queen;

And Aggy's a lady, and wears a gold ring;

And Johnny's a drummer, and drums for the king.

The most common version used today is:

Rock-a-bye baby, on the tree tops,

When the wind blows, the cradle will rock,

When the bough breaks, the cradle will fall,

And down will come baby, cradle and all.

The full versions lyrics are:

Rock-a-bye baby, in the tree tops

When the wind blows the cradle will rock

When the bough breaks, the cradle will fall

Down will come baby, cradle and all

Baby is drowsing, cosy and fair

Mother sits near in her rocking chair

Forward and back, the cradle she swings

Though baby sleeps, he hears what she sings

Rock-a-bye baby, do not you fear

Never mind, baby, mother is near

Wee little fingers, eyes are shut tight

Now sound asleep - until morning light

Maps Rock-a-bye Baby

Origins and development

Various theories exist to explain the origins of the rhyme.

One theory suggests the rhyme narrates a mother gently rocking her baby to sleep, as if the baby were riding the treetops during a breeze; then, when the mother lowers the baby to her crib, the song says "down will come baby."

Another identifies the rhyme as the first English poem written on American soil, suggesting it dates from the 17th century and that it may have been written by an English immigrant who observed the way native-American women rocked their babies in birch-bark cradles, which were suspended from the branches of trees, allowing the wind to rock the baby to sleep. The words appeared in print in England c. 1765.

In Derbyshire, England, local legend has it that the song relates to a local character in the late 18th century, Betty Kenny (Kate Kenyon), who lived with her husband, Luke, and their eight children in a huge yew tree in Shining Cliff Woods in the Derwent Valley, where a hollowed-out bough served as a cradle.

Yet another theory has it that the lyrics, like the tune "Lilliburlero" it is sung to, refer to events immediately preceding the Glorious Revolution. The baby is supposed to be the son of James VII and II, who was widely believed to be someone else's child smuggled into the birthing room in order to provide a Roman Catholic heir for James. The "wind" may be that Protestant "wind" or force "blowing" or coming from the Netherlands bringing James' nephew and son-in-law William of Orange, who would eventually depose King James II in the revolution (the same "Protestant Wind" that had saved England from the Spanish Armada a century earlier). The "cradle" is the royal House of Stuart. The earliest recorded version of the words in print appeared with a footnote, "This may serve as a warning to the Proud and Ambitious, who climb so high that they generally fall at last", which may be read as supporting a satirical meaning. It would help to substantiate the suggestion of a specific political application for the words however if they and the 'Lilliburlero' tune could be shown to have been always associated.

Yet another theory is that the song is based around a 17th century ritual that took place after a newborn baby had died. The mothers would hang the child from a basket on a branch in a tree and waited to see if they would come back to life. The line " when the bough breaks the baby will fall" would suggest that the baby was dead weight so heavy enough to break the branch.

Another possibility is that the words began as a "dandling" rhyme - one used while a baby is being swung about and sometimes tossed and caught. An early dandling rhyme is quoted in The Oxford Nursery Rhyme Book which has some similarity:

Catch him, crow! Carry him, kite!

Take him away till the apples are ripe;

When they are ripe and ready to fall,

Here comes baby, apples and all, woop woop.

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Publication

The words first appeared in print in Mother Goose's Melody (London, c. 1765), possibly published by John Newbery (1713-1767), and which was reprinted in Boston in 1785. Rock-a-bye as a phrase was first recorded in 1805 in Benjamin Tabart's Songs for the Nursery, (London, 1805).

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Melody

It is unclear though whether these early rhymes were sung to either of the now-familiar tunes. At some time, however, the Lilliburlero-based tune and the 1796 lyric, with the word "Hush-a-bye" replaced by "Rock-a-bye", must have come together and achieved a new popularity. A possible reference to this re-emergence is in an advertisement in The Times newspaper in 1887 for a performance in London by a minstrel group featuring a "new" American song called 'Rock-a-bye':

"Moore and Burgess Minstrels, St James's-hall TODAY at 3, TONIGHT at 8, when the following new and charming songs will be sung...The great American song of ROCK-A-BYE..."

This minstrel song, whether substantially the same as the nursery rhymes quoted above or not, was clearly an instant hit: a later advertisement for the same company in the paper's October 13 edition promises that "The new and charming American ballad, called ROCK-A-BYE, which has achieved an extraordinary degree of popularity in all the cities of America will be SUNG at every performance."

If this is, in fact, the same song, then this implies that it was an American composition and already popular there. An article in the New York Times of August 1891 (p. 1) refers to the tune being played in a parade in Asbury Park, N.J. and clearly by this date the song was well established in America. Newspapers of the period, however, credit its composition to two separate persons, both resident in Boston: one is Effie Canning (later referred to as Mrs. Effie D. Canning Carlton and the other the composer Charles Dupee Blake.

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See also

• Rock-a-Bye Your Baby with a Dixie Melody
• Eugene Field, Rock-a-Bye Lady
• Rockabye (song) A song based off the lullaby from Clean Bandit, Sean Paul & Anne-Marie

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References

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External links

• musipedia

Source of article : Wikipedia